Look but don't touch
by Fran walker
   
    Most people drink to forget. I drink to remember.

The sun sets over Mount Ruapehu. The roof timbers of my house start creaking, and I shudder. They sound like old bones, or like fingernails clawing against a locked door. As the kitchen darkens, I lick my lips and let myself remember the lovers in my past.

Rana was a tequila shot, her fierce biting resistance mellowed by the tang of salt I licked off her skin. Sherri had curly hair the colour of bourbon, and Coke-brown eyes that fizzed when I slipped my fingers inside her. Linley was a shandy, sweet and undemanding, cool even on a hot summer night.

I pour a glass of pinot noir and take a sip. The taste doesn’t remind me of anyone in particular. I sketch a Maori woman in my mind, her long hair as dark and rich as rum, her fingers and cheekbones as fine and fragile as a champagne flute. Look but don’t touch, Mother always said. I keep my unclean hands to myself. I watch the Maori woman in my mind’s eye, admiring the sway of her hips, smiling when she smiles.

My hand slides up my thigh. Soft. Warm. Dirty.

The pinot noir spills. I set my glass onto the kitchen table. I taste soap rather than red wine in my mouth.

Dirty girl. Wash your hands. Now lick the soap off, and let the taste remind you not to touch your dirty parts. No one likes a dirty girl.

I wash my hands, wipe the spilled wine off the table, and rinse the glass clean. With a soft cloth I rub every trace of fingerprints from the bowl of the wineglass. I can’t see any wine stains on my blouse or shorts, but I toss them in the laundry and pull on an old T-shirt.

   
 
 
 
 
 
 
 
 
My mother’s voice shrills in my mind. I dig my fingernails into my palms.

I promise myself I will look, but not touch. As I climb the stairs to the library, the house creaks furiously in the cooling night air. My bare arms and legs pimple with gooseflesh.

In the front of the carved panel that hides the bar, I press the secret switch and punch in the security code. The panel slides up to reveal a teakwood cabinet. Track lighting highlights bourbon, rum, and vodka on the shelves to the left, mementos of my lovers in glass-fronted cubbyholes to the right, and a wine fridge in the centre.

I press my fingertips against each cubbyhole’s glass door. Sarah’s forefinger beckons.  Karen’s fingers point to mine. Rana’s and Linley’s hands are outstretched, pleading. Surely, like mine, they long for a gentle caress.

I pour a tequila shot, down it in a single gulp, and stroke the door to Rana’s cubbyhole. My mother’s voice goes silent. Everything fades but the memory of our night together.  Clean, dirty, it doesn’t matter.  We touched, we laughed, we loved.

Behind their magnetically sealed glass door, Linley’s hands tremble for a moment under my fascinated gaze. The Ruapehu area is prone to frequent, minor earthquakes. I strain to feel a matching movement in the floorboards, but sense nothing.

Of its own volition, my arm reaches moves to flip open Linley’s door.  I snatch my hand back. Linley’s hands were dirty once, as dirty as mine. They’d touched me.  Thrust into me.

Firmly, decisively, I march back down to the kitchen. At the sink I wash my hands once, twice, then a third time, scrubbing them with the steel pad I use to scour pans.

Sitting at the kitchen table again, I tell myself that I can remember enough. There is no need to look, let alone touch. I can even remember Sarah, who was as cheap and pissy as a tepid can of Tui beer. She was my first, and everything went awry; yet there came that pure, shining moment when the pleasure felt as clean as it was blissful.

And I remember Bertina.

I press my hands flat against the kitchen table and bite my lip. The wind freshens, and the tree branches conspire against me. I hear a tap-tap-tap against the kitchen window. Ber-ti-na, it chants rhythmically. Ber-ti-na. Beneath my T-shirt, my nipples harden.

Bertina was as perfect as a late-harvest semillon. She worked in a Marlborough vineyard, or so she told me, and I wanted to believe it as I kissed skin turned gold by the New Zealand sun and tasted the honeyed sweetness between her thighs. It seemed impossible her hands could ever be dirty. Yet she touched me, adored me, created a pleasure that was almost holy in its perfection. 

My hands have left greasy, sweaty palmprints on the kitchen table. Dirty girl.

My mother’s voice will stop again if I drink to Bertina and our most perfect of memories. Cautiously I creep back up the stairs to the library. I won’t touch. I won’t even look. I’ll just get a clean glass of dessert wine and return to the kitchen.

My gaze locks on a bottle of Hawkes Bay semillon, but a flicker of movement out of the corner of my eye distracts me. I glance at Bertina’s hands inside their cubbyhole. Did her fingertips twitch?

I open her glass door a crack and leap back. Nothing. Opening the door fully, I lean down and admire the leathery texture of Bertina’s brown skin, her bleached nails, the drawn, puckered tissue around her severed wrist, her fresh crisp scent. Looking brings pleasure, just as drinking brings pleasure. I remember the even greater pleasure of touching.

Dirty, nasty girl.

But Bertina’s hands are clean, cleaner even than mine, though I scrubbed them raw just moments ago. Immersion in ethanol for six months has preserved Bertina perfectly. Ah, the many beauties of alcohol.

Defiantly, I lift Bertina’s right hand from the velvet-lined cubbyhole for the first time since I placed it there nearly nine months ago.  Her knuckles press against my palm.  Our hands curl around the bottle of semillon. I can’t tell if it’s her fingers or mine that tremble from the glassy chill of the wine bottle. We lift it out of the fridge. It’s a screw-top, not a corked bottle.

I squeeze Bertina’s right hand around the bottle, then pick up her left hand and press it down on the cap. We twist counter-clockwise. The cap seal makes a cracking sound as it breaks loose.

I sip the wine and lick a dribble off my lower lip. My mouth waters. I give in to my deeper craving. After dipping Bertina’s desiccated finger into the wine bottle, I suck the sweet muskiness from her fingertip.  

My breathing comes faster. I press the cold bottle against my cheeks. My fingers lace with hers, clean intertwining with clean. Are the others envious, or shocked? I open all the glass doors. Let them watch.

My mother’s voice falls silent.

Let her watch, too.

Bertina’s hand curves around my breast, brushes my nipple. I shuck off my T-shirt and stand naked, leaning against the bar to keep myself from buckling to the floor. Her hand slides lower, between my thighs. Clean touches dirty. My eyes flutter shut.

Something clunks my temple. I whirl. Again, something cracks against my forehead. I recognise Sherri’s fist with its heavy gold thumb ring. Then jealous hands -- Rana’s, Karen’s, Linley’s, I can’t tell whose -- tighten around my throat. My fingers gouge at theirs, trying to pry them loose. I gasp for air.

Sarah’s severed forefinger sails into my mouth and jams my windpipe. The traitorous bitch! The bottle of semillon crashes to the floor next to me. The room darkens. Hands clench more firmly around my throat. Sarah’s finger plugs my windpipe more tightly.

One leathery brown hand approaches my face. I smell my own desire on the fingertips. The scent is clean, not dirty. Fingers press against my eyes, then my lips, closing them forever.

Bertina! I always loved you best.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Fran Walker lives in New Zealand, which is just as beautiful as it looks in the movies.  In her spare time she gardens, bakes (well), and quilts (badly). Her recent and forthcoming work can be found in Chilling Tales (P.D. Publishing), Girl Crazy (Cleis Press), Khimairal Ink, Read These Lips, and Lavender Ink: Writing and Selling Lesbian Fiction (Bedazzled Ink Publishing). She can be reached at franwalker@ihug.co.nz

 
     
 
     
   
 

Copyright (c) 2008 Three Crow Press & Morrigan Books. All rights reserved.