So Hot by John Miller
   
   

Chelsea never knows what to expect when the carnival comes to town in the middle of tourist season.  It starts like a swell of possibilities full of tourists wearing Hawaiian shirts and t-shirted carnies.  As the summer progresses it builds into a tidal wave of frantic customers and hoodlums leaving before she can slap tickets on their tables.  Sometimes she thinks the Devil himself will walk through the diner’s door.

The donut’s crystalline icing melts on the plate when he steps inside, a wave of summer flows in with him, and with it wafts the sugary scent of cotton candy from the small-town vendors outside.  Too much sugar.  Everywhere.  Outside and in, with the cakes behind the glass of the display case to the scrumptious hunk in the doorway.  Normally she would tell him to shut the door in her blunt manner, but she doesn’t mind being hot now.  Or maybe she knows she’s become hot for reasons other than the record breaking temperatures, because she’s never felt an instant attraction before.

She sets the donut before the blue-haired Mrs. Gleason and smiles at her inconsequential comment before she glances back at Mr. Hot.  “Shut the door, buddy,” Mr. Gleason says over his newspaper.  Mr. Hot looks at Mr. Gleason and then at her before he comes completely inside.  The screen door bangs shut, and the metal screen in the window vibrates before the image disappears when Mr. Hot closes the inner-door.

“So hot,” Candy whispers.  Candy is a five-hundred pound woman taking up her usual three seats in the corner booth, has two plates of chocolate crème pie for desert, same as every Saturday afternoon.  “I could just eat him.”

   
 
 
 
 
 
 

 

Chelsea grins because Candy’s food addiction is well known and she’s never dated, not once in her life.  Candy lives with her mother in the house on the hill, just past Turner Street where Jeb wrecked his tow truck last year after the fireman’s annual dance.  Candy has resigned herself to living without a man in her life, preferring instead to gorge herself on all the diner has to offer.  Candy and Chelsea have talked many times.  They see each other almost daily.  If Candy noticed Mr. Hot—if the man somehow broke through her sugar high—then he must be as dreamy as Chelsea thinks he is. 

But she’s not dreaming.

As if to further cement the fact she’s awake, the words of Jake, her manager, pinches her with a dose of reality: “We’ve got other patrons other than the Gleasons, girl.”  Jake leans on the counter, his large belly spreading on the tabletop, his hands folded together as if he’s praying that Chelsea can somehow manage the floor alone. 

Like that is going to happen, she thinks with a glance around the full diner.  At least he has help in the kitchen, but then he’s the boss.

A cup of coffee rests next to Jake’s elbow.  It’s been there for an hour, every since Jeb’s nephew, Hank Miller, left his favorite barstool.  Mr. Hot takes the seat.  Chelsea notices the sheen of sweat upon Jake’s head.  Steam rises from the coffee cup.  She realizes she was wrong, that it must be Jake’s coffee and he must have brought it with him from the kitchen.

“Danged air conditioning go out?” Jake asks.  He stands revealing a large apron conforming to his massive gut, and he rubs his hands over the dingy material.  “I just had the repair guy out last month.”

She notices he doesn’t take his coffee with him.

Chelsea takes the orders of two nearby tables before she heads back to the kitchen.  She looks up to push against the swinging door between the walk-through between counters, and she finds Mr. Hot’s eyes meeting hers.  Passion wets her soul but she isn’t sure—

“Miss?” he says.  “Can you take my order?”

She forces a smile and walks behind the counter.  She needs to get the two new orders back to Jake and Esmeralda, his wife, the only two cooks tonight, but she can’t refuse Mr. Hot, even if it means the last two tables get their food a few minutes late.

“What can I get for you, honey?” she asks.  He glances at her apron or shirt—or breasts?—and she feels her face flush red.  “Do you need a menu?”

“Oh, I know what I want,” he says.  His eyes trail down her body to the counter that needs wiping, ending at the steaming cup of coffee.  “This isn’t mine.”

“I’m sorry,” she says.  She grabs the cup since the handle is facing opposite her, but she lets go immediately because the cup itself is scalding, and when black liquid sloshes on her hand she yelps.  “Ouch, that’s hot.”

He pulls napkins from the dispenser and hands them to her.  Chelsea has a rag to wipe down tables in her apron, but she takes the gift anyway.  “Thanks,” she says as his hand brushes hers.  She almost yelps again as the skin of her hand sticks to his fingers.  The word blistering comes to mind as she wipes up the spilled coffee, never averting her eyes from those burning hazel orbs that seem to swirl from some inner seething turmoil.

“Something wrong?” he asks.

“The heat,” she says.  She pushes a sweaty strand of hair from her brow, hoping the dark strand doesn’t look too out of place against the rest of her blond hair.  “I think Jake’s right; the air conditioning is going out.”

She glimpses her reflection in the large window past the Gleasons, looks for signs of her dark roots.  She can’t see them and hopes Mr. Hot doesn’t spot them either.

“Do you have any ice cream?” he asks.

“Chocolate, vanilla and strawberry,” she says.  “Those are the only three flavors we have in this diner, honey.”

She holds her legs together and feels them stick—she’s definitely wet.  A drop of sweat slides from the band of her underwear into the crack of her butt, and she squeezes her cheeks together trapping it.  I’d like to trap Mr. hot here, she thinks while ogling him.  She imagines Mr. Hot naked on some tropical beach, the feel of his hard muscles beneath his tanned skin.  He’s blond like her, but without the dark roots, and his hair is sun bleached.

“I don’t care what flavor,” he says.  “Just get me ice cream.  I’m burning up.”

“Ain’t that the truth,” she says writing his order.  She doesn’t have to write it down to remember, but it gives her a chance to talk a few seconds.  “Hank Miller—who was sitting on the very barstool you’re sitting on—told me the tires of his truck actually melted on the pavement when—”

“Miss?” he says.  “I don’t mean to be rude.  Ice cream?”

“Yeah, I got it,” she says and puts her receipt book in her apron pocket.  “I’ll have it back in a flash.”

“Waitress?” a man calls.  His family’s table is next to the Gleasons.  “Is our order up?”

His table’s order is in her pocket, but she lies and says, “The cook’s got it, honey.”  She winks at Mr. Hot then frowns.  “Are you okay?”

“Ice cream,” he says through clenched teeth.

She rushes back to the kitchen and posts the two last orders on the strip above the open window.  Beneath it Jake is flipping eight hamburger patties with practiced ease, the spatula lifting and turning, one by one.  Esmeralda tosses a salad, her thick fingers a blur, an open bottle of Kraft Ranch Dressing rests on its side spilling white ooze onto the counter.

“Are all the orders taken?” Jake asks.

“No, but some guy wants ice cream… and I mean now.”  She gets a bowl and ice cream scooper from the drawer.  “He doesn’t look very good.”

She puts six scoops of vanilla in the bowl, grabs a spoon, and heads out.  It’s a little cooler outside the kitchen but not much.  The front door opens and another wave of heat rushes in, but it’s not as bad this time.  Must be getting used to it, she thinks.  She sets the bowl before Mr. Hot and gives her most winning smile.  He frowns and grabs the spoon.  His hand trembles making the spoon clink against the side of the bowl, and her first thought is recovering addict.

“Miss?” Mrs. Gleason calls while walking toward her.  “Can you get me another donut?  This one is melted.”

Before she can give her customer-is-always-right-smile she notices the cup of boiling coffee next to Mr. Hot.  Big black bubbles rise up over the rim, and the coffee boils over.  Mr. Hot doesn’t seem to notice, but she gasps at his ice cream—it’s melted into a pile of goo.

“You’re hot,” she says.  It’s a statement, not a question.  “Something’s wrong with you.”

She smells burnt plastic and sees the counter blackened around his elbows.  Steam rises behind his back, and she realizes the vapor comes from his barstool.  He’s literally burning up everything around him.

“About my donut,” Mrs. Gleason says standing next to Mr. Hot, her blue hair bouncing as her head shakes from palsy.  Her smile turns into a frown as the donut plate falls from her shaking hand and shatters into a thousand shards.  “Oh, my!  Maybe I should sit back down.”

Mrs. Gleason’s blue hair seems to turn orange-red.  That’s when Chelsea realizes something is moving in the elderly woman’s hair. 

“Mrs. Gleason,” Chelsea shouts.  “You’re on fire!”

Mrs. Gleason yells and reaches for her hair.  Mr. Gleason runs toward his wife’s back.  Chelsea steps away, wide eyes looking from Mrs. Gleason to Mr. Hot who stands and slams his palms on the steaming counter.

“What’s going on, Chelsea?” Jake asks as he jiggles from the kitchen past her.  He rushes toward Mrs. Gleason as her husband beats her head with his newspaper.  “Why is Mrs. Gleason on fire?”

Mr. Hot screams so loud Chelsea has to hold her hands over her ears.  He collapses on the counter, rolls onto his back writhing, his legs and lower back hanging over the side.  He keeps yelling over and over, “Father, why have you forsaken me?”

Although she’s drenched in sweat, a chill slides down her spine like an ice cube.  She backs away from Mr. Hot, pushes past her boss, and runs into the kitchen.  She watches through the open window where, she hopes, it’s safe.  The heat from the grill doesn’t phase her like usual.

“Somebody call 911,” Jake shouts.  Esmeralda rushes to her husband with a cell phone against her ear as he yells, “Stop thrashing and let us help you, Mrs. Gleason.”

Mrs. Gleason explodes.  Her blue hair turns black.  Her dress flutters as if from wind then shreds from the blast, and her legs fall away from her body.  Her torso shoots up off her legs like a propelled rocket.  She rises toward the fifteen foot ceiling, slows and seems to hovers for a second, then drops.  When she strikes the floor she is nothing more than a clump of burning flesh in bags of misshapen singed cloth.

Mr. Gleason lies on his back, his chest rising and falling, his eyebrows missing.  He flew through the air when his wife exploded, and Chelsea sees his long white chest hair now singed a crispy white and jutting over his button-up scorched shirt.  His newspaper is black, smoking, on the floor next to his head.  His eyes are closed. 

Esmeralda screams, her voice matching the volume of Mr. Hot’s voice.  Others begin screaming, children and adults.  Patrons rush the front door, but some remain trying to call 911 on their cell phones.  One approaches Mrs. Gleason with a flower-print table cloth as if he’s going to throw it on her to put out a fire, but it’s much too late for that.

Jake cowers behind the counter, and Chelsea follows his wide eyes to the edge of the countertop.  Melted, the laminated plastic countertop drips over the edge as Mr. Hot thrashes on the counter above her boss.  Shimmering steam above his body shoots toward ceiling tile which blackens as curtains curl at the windows beyond the stranger.  Somehow Mr. Hot’s white t-shirt and black jeans don’t catch fire.

“Father,” he says.  “Don’t do this.”

Hank Miller rushes the front door but his foot catches on Mr. Gleason when the elderly man sits up.  Hank lands hard, his face smacks the floor with a crunch, and a tooth leaves a bloody trail on white linoleum.  Hank lifts his head higher to gaze at the front door as it opens.  A black haired cloven hoof clops against the floor, but Chelsea can’t see from her vantage point.  She moves to the doorway of the kitchen and gasps.

The figure is naked, red flawless skin stretching over striated muscles, his gait smooth and elegant like royalty.  His hooves clop like a woman’s high heels.  Thin lips turn into a slight smile beneath a pointed nose and narrow eyes.  He has a black goatee and short black hair, high widow peaks where twin horns protrude above pointed ears.  He closes the door with his long pointed tail acting like a fifth appendage.

“Father, you’ve come,” Mr. Hot says.  He rolls off the melted counter, smacks a barstool on the way down, and lands in the sitting position.  “Make the pain go away.”

“You can’t be human no matter how hard you try,” the Devil says.  “I’ve told you and told you, Inferno.”

“I just wanted to get away from it all, father,” Mr. Hot—or Inferno—says.  “I hate hell.”

“You might as well just accept your life, Junior,” the Devil says, his softly spoken words dancing in an accent Chelsea doesn’t recognize—probably a land far, far away.  “We are what we are.”

He kneels next to his son.  The white tiles around Inferno smolder and curl at the corners.  The Devil seems oblivious to the heat as he holds his son’s head.

“Make it stop,” Inferno says. 

“Only you can make it stop, son,” the father says.  “You can’t handle a human body; your power burns through it like voltage overloading a tiny circuit.”

Inferno sobs but nods his head.  He sits up and a wave of steaming heat flows from him, leaving a trail of burning tile as it reaches Hank still on the floor.  Hank screams as his face melts, and Chelsea’s eyes close and she steps back from the heat blast.  She wipes her dry eyes and listens: nothing.  She steps back into the doorway.

The red devil and his son are gone.  The patrons are all dead.  Faces are melted, blackened grimaces of agony and grinning death.  They sit and stand and lie frozen, melted in place.  Sneakers coalesce into thick puddles on the floor.  Clothes smolder and poor Candy’s body looks like a giant roasted pig with stuffed jowls.  The curtains are shorter, the bottom edges black and curling from heat.  Everyone is steaming, melting… dead.

The door opens and the Devil steps back in, his hooves clicking again.  Chelsea flinches but he smiles and gestures with his hand to dismiss her fear.

“We have an opening,” he tells her.  “We just lost a succubus, and my son tells me he’s quite captivated by you.”

She feels her eyes bulge in her head.  She knows she’s insane, has to be, but she answers as if this is reality.

“No thank you, sir,” she says.  “I enjoy working at the diner.”

“Well, if you change your mind just give me a call, will you, dear?” he says.

“How would I get a hold of you?” she asks curious.

“Blood is the usual standard summons,” he says.  “A sacrifice or two doesn’t hurt either.  Just say my name when you do it.  If I’m too busy I’ll send Junior to fetch you.”

“Th-thank you, sir,” she says.  “That’s really quite nice of you.”

“Think nothing of it, dear,” he says with a flourishing bow.  “Now I have to be off.  Junior is pouting and the saints are praying.”

She watches the Devil go.  When the door slams shut, she goes into the kitchen, past the burning hamburger patties on the grill, to the freezer.  She takes out a pail, carries it to the counter, and grabs a bowl and scooper.  When the fire department shows up five minutes later, she finishes her second bowl of ice cream.

“It’s just so hot,” she tells the fire chief.  “So damned hot.”

He grimaces and asks, “Why are you eating food at a time like this?”

She thinks of Candy from the house on the hill, safe from men and temptation.  She says nothing as she takes another bite. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  John "JAM" A. Miller's experiences are the result of many jobs: preaching in his younger days, telemarketer, retail manager, refinery and factory work, and he became a specific demon once called a telemarketer, tormenting the masses.  He still torments the masses with words, but today he does it with story.  Stories are important to him, and he publishes stories/poems/artwork at his online magazine Liquid Imagination.  The greatest story he knows, however, are the lives of his 3 children of whom he has full physical and joint legal custody.  They inspire everything JAM does, especially his tormenting.
 
     
 
     
   
 

Copyright (c) 2008 Three Crow Press & Morrigan Books. All rights reserved.