Transmission by Michael R. Fosburg
   
   

The lights dim and the display light flashes green. Bruce sees her through the one-way glass. Tall and lean; her breasts are small, with nipples pink as strawberries.

It begins with swaying hips, drawing his gaze to her waist, to the plump mound of her sex. Hands move across her body, face closed tight in a mask of ecstasy. Her body writhes like smoke; like dark, sweet liquid poured from clear glass.

She reclines upon the bed and draws her legs into the air, one hand cupping a breast, the other inching slowly down the pale landscape of her body, past her navel, down, down—

The Pleasure-Port chimes. The session is ready to commence. Bruce licks dry lips, lays a trembling hand across its surface to be scanned.

Through the mirror, its twin activates. Wendy uncoils from the bed, walks to her own Port. She glances at the mirror and quickly away, and Bruce sees with hot excitement that she is shy, or ashamed.

She lays her hand on the Pleasure-Port.

It never gets easier for Wendy. She tastes bile; her skin erupts in shivery goosebumps. She feels the John like greedy eyes staring from across the room; like torpid breath on her neck.

   
 
 
 
 
 
 

To be linked to a John’s mind is like walking through a derelict house where the stink of sex and terror still haunt the air; where waiting behind each door is a memory of blood or some rank desire, each raw as a fresh burn.

Wendy despises the Pleasure-Port.

The John materializes beside her. He takes hold of her, ragged nails digging into her arms. She gasps—feeling no pain on the physical level—and shudders, revolted.

Aroused.

Fingernails dig bloody crescents into her pale flesh. Breath is hot on her neck, and she hears whispers that skirt wide of sanity; soft babbles and giggles that send an edge of hysteria needling above the gibbering lust that threatens to overflow like an over-filled cup.

He takes her.

She reminds herself that it isn’t real, palms and knees scraping the floor, as rough hands pull the hair from her scalp. Not real, she thinks with each thrust, a familiar mantra. Not real. Not real. Not real.

Against her will, Wendy comes.

The session expires. She collapses onto the bed, facing away from the mirror. Her body is flawless, free from the marks of the John’s frenzy.

She shakes all over, nonetheless.

***

Home, later that night, Wendy and her lover lay tangled in bed. He is a sweet boy—watery gray eyes, a slight lisp, soft, downy skin.

She runs a hand through his hair, clenches her fist, and pulls. He gasps, tears budding from the sudden pain.

“Fuck, Wendy, what are you—”

She leans close, breath hot on his neck, murmuring things she will forgot as she says them, and bites until the coppery warmth drenches her mouth.          

 

 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  Michael R. Fosburg is currently attending the University of South Florida and working toward a Bachelor's in English. When he isn't slaving over his studies and writing until his fingertips bleed, he's probably dreaming ideas for his next work. He has placed stories to Everyday Weirdness, Drabblecast, Expressions Newsletter, and other publications
 
     
 
     
   
 

Copyright (c) 2008 Three Crow Press & Morrigan Books. All rights reserved.