The Corruption by Brian Dolton
   
   

Bobby Trejo sang from the back of his throat, his half-swallowed words incomprehensible against the fuzzed guitars.  He had his eyes closed for the entire duration of “Play Me”.  Sweat flicked off his hair every time he jerked his head.  The stage beneath his feet gave slightly as he moved, back and forth, black jeans low on his hips. 

When he sang, he felt like he was praying.  He just didn’t know who to.

The club was all smoke and no mirrors, so it didn’t pull the crowd who only wanted to see themselves.  It pulled, instead, the lost and the forlorn, the sullen and the sad.  They drifted like wraiths around one another, long-necked Buds hanging from slack fingers.  It was as if the smoke was solid structure, and their bodies drifted and coursed through it, immaterial, untouchable.

Bobby didn’t look at the band.  He didn’t look at the set list.  He just flickered out of “Play Me” and barked into the prelude of “Nocturnal”.  The audience didn’t know the song.  They gave no sign of caring.  Some of them were nodding the rhythm from behind curtains of hair.  Some of them were lost inside themselves.  Some of them were trying to score; a hit, a tab, a conquest.  Something to make them feel alive.

None of them had any idea that Death was amongst them.

She stood at the back, leaning against the wall.  She had eyes the color of oil on the roadway and skin like mocha.  Nobody touched Her.  Somehow, even the ones who were completely lost in the haze inside and outside, lurching and staggering, managed to veer aside rather than cannon into Her.

She watched, silent and still.

She listened.

Bobby slid to his knees for the final verse of “Nocturnal”, and as the last chords broke over him like a wave, he bowed his head.  Sweat dripped from the point of his chin. 

The band hit straight into “Dollhouse”, but Bobby didn’t move.  He just knelt there, head bowed, eyes closed.

There was incandescence inside him.  There was only light, utterly perfect, burning away all the shadows that normally hung in the corners of his mind and whispered the songs to him in the stations of the night.

There was a voice there, too; a voice he didn’t know, quiet and cold and utterly certain.  He couldn’t quite make it out.  He was trying to shut out everything else, trying to make out the words, when Mickey kicked him on the arm.

Bobby opened his eyes.  Mickey was bellowing at him.  The words failed to make it through the wall of noise but the meaning was clear.

Sing, you worthless fuck.  Sing, goddamn you.

Bobby arched his back, still on his knees, turning his face upwards to the fragmented glare of the stage lights.  Part of his mind hunted down the words, slotted them into the rhythm, threw them at the audience.

Part of his mind was hunting something else entirely.  The cool, passionless voice. 

When he found it again, his body went limp, and all the other noises went away.

There was light, everywhere.  Only light; nothing of substance, nothing of the world.  Bobby squinted, but it didn’t help.  The light was everywhere; there was no source to it, nothing he could filter out.  He lifted a hand, to shade his eyes.

The light faded to the grey of morning fog, rolling in over Huntingdon Beach.

“Hey, Bobby”

It was the voice.  The cool and perfect voice.  It was nothing like his own, but somehow, he knew it was the voice he’d been trying to find since the first time he’d grabbed a microphone and clutched it like a lifeline.

“What is this place?” he asked.

“This isn’t a place, Bobby.  It’s a state of mind.”

“Okay... if you say so.  Who are you?”

“Don’t you know?”  There should have been amusement in the voice, or puzzlement, or something.  Something.  But there wasn’t anything at all; there was just the sound of it, pure and perfect. 

“Look, I... this isn’t like any trip I ever had.  I don’t...”

“This is a new trip,” the voice said.  “And it’s one way.”

And She was there, in front of him.  She wore a dress that shimmered.  No.  It didn’t shimmer.  It blinked.  It was made of _eyes_, a thousand of them, a million of them; eyes woven together, and all of them blinking, in rhythmless patterns across her contours.

“Who...”

“You know,” she said.  “You don’t sing about much else.”

“You don’t got a scythe,” he said.  It was meant to be humor, but even that last defense seemed to fail him.  His voice sounded thin and weak and incomplete, set against hers.

“No,” She said.  “No scythes.  No skulls.”

“So I’m really dead?”

“You can hardly be surprised, Bobby.  You’ve spent the last two months living on a cocktail of booze and drugs and the occasional bucket of fried chicken.  You really think that’s healthy?”

“Shit.”

“It’s too late for denial, Bobby.  Let’s face it, you’ve been worshipping me for three years.  You’ve written thirty-seven songs, and all but six of them are about dying.  You’ve seen three of your friends OD since April.  You’ve worked hard for this, Bobby.”

“It ain’t fair.  I was gonna be a star.”

“No you weren’t.  You were going to be dead.  And then the band will make it, because I’m always a good talking point.  But they’ll break up, two months from now.  Tito will go help his brother shifting stolen cars, and he’ll be shot by police three years from now.  Diggs is going to be shooting up behind dumpsters inside six months.  Mickey will form a new band with a singer from Laguna Niguel who writes songs about cars and girls, and they’ll play the same crappy little clubs for three more years, and then give up.  He’ll die from a heart attack when he’s sixty-one, after nearly forty years in an advertising company.”

“How do you know this?”

“How do you think?”  She waved a hand.  Her sleeve fluttered its multitude of eyelashes at him.  “I’m Death.  I’m there right now, standing over Diggs in a filthy alleyway near the Fox lot.  I’m there at the freeway exit where blood’s pulsing out between Tito’s fingers.  I’m there in the Sterling Walsh office, watching Mickey clutching at his chest, unable to stop the trip-hammer pounding his heart into a useless lump of flesh.  I’m Death, Bobby.  And I’m bored.”

He stared at Her.  He didn’t know what to say. 

“You don’t want it to be true.  Nobody does.  Even the suicides.  They swallow the pills, they slice through the veins, they pull the trigger.  And then they tell me they didn’t mean it.  They beg me for another chance.  But they don’t deserve it.   They don’t worship me.   Not like you do, Bobby.”

For the first time, expression flickered across her cold and perfect face.  It was a smile.

“So, uh... what now?”

“That depends on you, Bobby.  You could move on.”

“Move on?  You mean, like.... heaven?  Or...”  He couldn’t say the word.

“Perhaps, Bobby.  Do you really want to know?”

He wiped the back of his hand across his mouth.

“I... I don’t wanna go to hell.  What can I do?  I mean, can I, like, repent or something...”

“Or something,” she echoed.

Bobby Trejo sang from the back of his throat, his half-swallowed words incomprehensible against the fuzzed guitars.  He had his eyes closed for the entire duration of “Play Me”.  Sweat flicked off his hair every time he jerked his head.  The stage beneath his feet gave slightly as he moved, back and forth, black jeans low on his hips. 

When he sang, he felt like he was praying.  He knew exactly who he was praying to.  He knew exactly what he had to do to make sure his prayers were answered.  He had the names, and the places, and the dates, and all the horrible ways.  All burned in the pathways of his mind.  The long list of people of he had to kill, to send to Her, to alleviate an eternity of boredom. 

At the back of the hall, a woman with eyes the colour of spilled oil on a roadway and skin like mocha smiled, and turned, and left.

   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Brian Dolton has spent the last twenty years trying to amass enough interesting life experiences so that his writer's bio will make him appear far more interesting than he actually is. He has ridden a camel in the Sahara, stayed in a Zen monastery on a holy mountain in Japan, and played volleyball on a sandbar in the middle of the Pacific Ocean. Now these distractions are out of the way he can finally concentrate on sitting at a computer and writing.

 
   
   
 
 

Copyright (c) 2008 Three Crow Press & Morrigan Books. All rights reserved.